FILMar was launched to preserve and promote Portugal's film heritage, which was at risk of being lost due to physical degradation and limited accessibility. Many historical films were stored in obsolete formats, restricting public access to these cultural assets. To address this, the project modernised preservation methods, digitised films, and made them available to wider audiences, ensuring their long-term survival and cultural relevance. A state-of-the-art digital laboratory was established at the National Archive of Moving Images, enabling large-scale digitisation. Additionally, the project developed strategies to promote these films through public screenings, exhibitions, and educational programmes. Despite challenges such as the COVID-19 pandemic, it adapted by expanding its reach to more cities and leveraging digital platforms. The project exceeded expectations by digitising 267 films, totalling 10,531 minutes of footage. It organised 502 screenings in 45 cities, greatly exceeding the planned 25 screenings in 6 cities. Further outputs included five exhibitions, five books, one DVD, and 14 episodes in a Portuguese public broadcaster show related to cinema that reached 200,000+ viewers. International collaboration with the Norsk Filminstitutt facilitated knowledge exchange and co-hosted screenings, strengthening cultural ties. The project benefited the general public by increasing access to Portugal’s film heritage, while film professionals, educators, and cultural institutions gained new resources for research, education, and preservation. International audiences engaged with Portuguese cinema through festivals and collaborations, enhancing cultural diplomacy. FILMar’s sustainable approach ensures continued digitisation efforts and public engagement, with plans for ongoing cooperation with Norwegian partners. By integrating film heritage into education and public discourse, the project has revitalised Portugal’s cinematic legacy for future generations.
Summary of bilateral results
Regular screenings of Norwegian films in Portugal were carefully curated to engage in dialogue with the Portuguese films digitised under the project, with the participation of Norwegian specialists to provide further context and expertise. In addition, special programming was organised as part of Icelandic and Norwegian cultural initiatives, and professionals from both countries were invited to visit the digital laboratory to exchange knowledge and share best practices. Field trips and dedicated screenings were arranged for professionals from the Donor Countries, fostering cross-border collaboration. These interactions extended beyond Portugal and Norway, involving experts from various European and South American institutions, further enriching the exchange of expertise. Moving forward, cooperation with the project's Norwegian partners will continue through regular screenings, the exchange of digital preservation techniques, and collaboration on film history research. Additionally, both institutions will work together on identifying elements critical to film identification and historical documentation, ensuring the long-term sustainability of this partnership.